Saturday, February 21, 2015

Vinyl Bay 777 talks Vinyl Revival

Vinyl Revival Stumps Digital Age


Vinyl records, the kind that we here at Vinyl Bay 777 love to frame, study, and spin, are undoubtedly technology from last century.  In an era where a gadget the size of your hand can store half a terabyte of data, translating into thousands of songs spanning hundreds of albums, it sounds almost quaint that physically distributed music – cold, hard media such as Compact Disks and magnetic tape - could stand up to digital downloads.  With electronic audio formats such as MP3's dominating in the cost, storage space, quality and, sadly, ease-of-piracy categories, the only leg left for solid media to stand on is the value of touch.  Surprisingly for many who don't work with us at Vinyl Bay 777, the soft grooves of vinyl records have managed to provide physical media a grip on the sales charts long after their supposed death at the hands of CD's.

According to Wikipedia, global sales in Vinyl have skyrocketed from around $55 million in 2007 to $171 million in 2012.  $55 million of that growth came between 2011 and 2012 alone.  This resurrection of a media form once written off as dead is being called the “Vinyl Revival,” a term popularized in part by Britain's The Independent's use of the term in their 2012 article, The Rapacity Of The Record Revival.

Part of the reason for the Vinyl Revival's success has been its status symbol as part of collector-edition sets for groups like the Foo Fighters, or pre-order packages for bands like Silversun Pickups.  In the case of pre-order packages, sometimes an MP3 copy of the album is included with the purchase, merging digital and physical distribution.  Collectors can hold on to their mint-condition vinyl albums and still listen to the music they bought!  Plus, no amount of internet uploading can duplicate a physical object, so sales officials can rest assured that they will get an excellent mark-up on their merchandise even if the MP3 files find their way to a torrent site.

Speaking to The Independent in its Record Revival article, Sean Bidder, the creative director of Vinyl Foundry, argued that it was worth “another few pounds” to create a vinyl album because of its superior “quality and craftsmanship.”  We at Vinyl Bay 777 completely agree.  We love feeling the velvety grooves of our albums, and that's why we got into the industry. 
The Vinyl Revival is about more than just sales figures:  It's about craftsmanship, nostalgia, and good tunes along the way!

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